Not exactly on topic but in classical music you also see this pozzification, non whites pushed as interpreters and composers, commie themes, Boulez organizing booing sqauds (ok, this one from the 40s). The music in general has turned more commercial, you never see the verve Xenakis or early Penderecki had.
You dont even see satanist themes like in Stockhausen's Licht cycle, one of wich (Freitag?) had implicit racist themes that could only get a Leipzig premiere.
I still remember when the futurists were, hispterly, sure, attracted to fascism.
Dalí, Stravinsky, so many with a revolutionary vision that made sense and it wasnt just a giant ADL uber eats zogslop fest.
Not exactly on topic but in classical music you also see this pozzification, non whites pushed as interpreters and composers, commie themes, Boulez organizing booing sqauds (ok, this one from the 40s). The music in general has turned more commercial, you never see the verve Xenakis or early Penderecki had.
You dont even see satanist themes like in Stockhausen's Licht cycle, one of wich (Freitag?) had implicit racist themes that could only get a Leipzig premiere.
I still remember when the futurists were, hispterly, sure, attracted to fascism.
Dalí, Stravinsky, so many with a revolutionary vision that made sense and it wasnt just a giant ADL uber eats zogslop fest.
Btw, what happened to ANUS.com?